Finally, the Steel transformer has an extremely detailed and fast response with a subtle boost in the 40Hz range, which contributes to a rocking low end. It operates through a Class-A output stage that applies only even-ordered harmonic distortion, leaving you with a very musical sound. The Iron transformer has a more colored sound, but still maintains a pristine high end with a small low end boost in the 100Hz range. Choosing between Steel, Nickel or Iron will add distinct flavors commonly found in some legendary consoles: Nickel offers smooth lows with a polished top end and sounds great on more subtle and sparse recordings. Here you can toggle between each one to easily shift the tonal balance of the compressor. Switchable output transformers for sonic varietyįurther tonal character can be built with the three unique Output Transformers. In the VCA Discrete section, you have a more exacting control over the ratio, attack and release settings, allowing you to fine-tune the compression response to fit a large variety of material. Use it to easily shape your dynamic range and bring up the overall level. One of the key benefits of the Shadow Hills Mastering Compressor is the ability to treat your signals with dual-stage compression, dialing in compression through either the Optical or the Discrete sections-or both for maximum musicality! In the Optical section, you will find the traditional Threshold and Gain settings, with a two-stage release time similar to what you would find on an LA-2A. It’s no wonder that it has been the go-to buss compressor on timeless records by Radiohead, Foo Fighters, Beck, Green Day, Coldplay and countless others.ĭual compression sections for unprecedented dynamic control A well known staple in the music industry, the Shadow Hills compressor easily tames even the most unruly and chaotic transients with flawless control and amazing tone. Meticulously modeled by Brainworx after the instantly legendary hardware original, no details have been spared in crafting this digital version of one of the most musical and versatile compressors out there. The tonal differences are so drastic between them all that you can at least tell which one shines without going back and mixing a song over again.Īnd for context, most recent application has been on a Band of Horses style Indie Rock band.The supreme tycoon of master bus compression I know that most sane people would say “pick one and mix into it.” But no. Most recently the UAD SSL, SSL Native Bus, and BX Townhouse, but every time I click back to the SHMC it just straight up sounds “more like a record.” No contest. I’ve been REALLY trying to like something more than it. I’ve always been a drum-heavy mixer, so having something that keeps the drums in check and helps the guitar/vocals shine has been a game changer for me. I’m stuck on the Plugin Alliance version of the Shadow Hills Mastering Compressor (original green light version.) Are there any other supporters out there? To be completely honest, I think I might like the EQ curve that the Nickel transformer puts on my mix more than anything to do with the compression, but I’ve really been loving the way that it pushes guitars out to the front of the mix and makes them sparkle. What I’d really like to ask is what is your favorite is and why, but as that discussion rages on endlessly, I want to zero in on this one and compare to a couple of others. I have an unhealthy obsession with shooting out mix bus compressors. Helps us keep the sub clean by reporting posts and comments that are in fault. Check out the rest of them before posting and learn more behind their reason to be: NO LINK DUMPING FOR SELF PROMOTION (use a text post instead, introduce yourself, don't be spam-y, be transparent)īreaking any of these rules will result in your post being instantly deleted and repeated offenses will result in your banning.NO RATES/BUDGETS ON THE SUB (in posts or comments).Looking for professional mixing or mastering services? This is also the right place for that (check our listings first!). Also NO gear/software troubleshooting) Would like feedback on your track? You've come to the right place (NOT the place for promoting your music). Have questions about the craft of mixing? (NOT recording. This subreddit is about the stage of music production that involves mixing all the individual tracks of a song together.
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